
…the Madoka OP is probably the best OP ever for depicting things that “never happened.”
I hadn’t planned to watch Puella Magi Madoka Magica – it didn’t even make my winter 2010 wishlist because it looked so generic. But then everyone started making a fuss about it and I read this interview with Madoka’s director Gen Urobuchi (there are minor plot spoilers in the interview, so avoid as needed):
As a game scenario writer, Urobuchi is noted for heavy, often gruesome, storylines and a devoted following. I have been unable to tear myself away from this story of young girls facing hardship. Urobuchi said he was tasked with creating a serious anime that contained an element of surprise. He decided to apply his usual style to the often cliche magic girl genre.
So I checked out the series and was hooked, especially from episode 5 on. Madoka is certainly no generic magical girl show, and even though I spoiled parts of the plot for myself by reading the Gen Urobuchi interview before I started watching the show, each episode still managed to surprise me in some way. Underneath the pink frilly mahou shoujo cover is a really dark and devastating core, and the turn on conventional anime cliches is really refreshing to see.
Quick plug:

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